干酪 Danish And Blue (1970)

　　How’s this for a concept: An American Guy with a Sex Hang-Up Gets His First Taste of Scandinavian Sex Therapy. Socko! Add "Johnny" (William Howard) to play the guy (the same lanky, big-dicked, Johnny Wadd-type stud who...展开 stars in Hand of Pleasure and Terror at Orgy Castle), and mix well with "Erika", an angular blonde with a heavy accent who plays the sex therapist. Throw the two of them together in a series of explicit sex scenes, splice in some terrific stock footage of picturesque Copenhagen, and lay over a narration that explains everything to the viewer. Zowie! As a formula for ’70s softcore, that would have done nicely. But the makers of Danish and Blue also had the good sense (and immaculate taste) to add a totally superfluous character called "Ketti" and casting Flesh Gordon’s Suzanne Fields in the part. The result: Smut Magic. Suzanne plays a maid-cum-sex-showgirl who literally latches on to Johnny and helps him overcome his sex hang-up. We meet her, along with Johnny, at a sex show featuring "authentic" Scandinavians like RON DARBY. There, we witness a series of acts that include a he-she dancer, two blonde lesbians, and a threesome. Later, Suzanne pops into Johnny’s hotel room and "picks up right where Erika, the sexologist, left off", namely, at Johnny’s newly confident member.
　　The closeups of Miss Fields’ pretty pudenda are of priceless therapeutic value, and Johnny winds up "screwing himself into deliriums", whereby he has kinky B&D nightmares involving Erika, Ketti, and the other sex-show performers. In the end, Johnny becomes "a new man" (specifically, "a healthy virile male animal") who returns to America a swinger. His successful Scandinavian sexual therapy is must-see for all card-carrying Deviates. More wonderful lewdness from producer-photographer-distributor Manuel S. Conde and director Spence Crilly (Sisters in Leather) under his "Zoltan G. Spencer" nom de smut plume.