Adjungierte Dislokationen

　　In Adjunct Dislocations (1973), for example, the artist is transformed into a technologically-enhanced entity. Strapping an 8 mm cameras to her chest and back, Export traversed a number of different environments, movin...展开g erratically in a purposely wayward trajectory while filming both ahead and behind. Having herself filmed in the process, the resultant piece projects all three films together, though not in sync, simultaneously placing the viewer inside and outside the artist’s body and further locating the subject in a space that is disjunctive, unbalanced and inverted.