Two women engage in various forms of sexual interplay, with Muehl’s active direction – moving one of the women’s legs back and forth as if conducting. During one very intimate moment, it shocks to see his hand come int...展开o the frame to adjust the angle of one of the women’s arms. Meanwhile, a soltary penis is adorned with a rose, eggs, and sausages in ritual fashion, as if on a plate or in a picture frame. Colored powders rain down on the women, bringing to mind the orgy scene in Jack Smith’s film Flaming Creatures, in which dust and chunks of plaster fall down from above onto the revelers. By now, Muehl was making his own films as well, and was soon to break with Kren, perhaps because he was more interested in documenting his activities than in running them through the chaos distillation of Kren’s filmmaking technique.
Kren's last film to include any direct reference to Otto Muehl is 12/66: COSINUS ALPHA, a 10-minute film that completes a cycle of elaborate sensual montages and materials. 16mm.