G/R/E/A/S/E
在线播放
很抱歉，我们的机器正在搜集可靠的播放资源，找到后我们将第一时间展示在这里。
下载资源
很抱歉，我们的机器正在搜集可靠的下载资源，找到后我们将第一时间展示在这里。
G/R/E/A/S/E影片简介
Brief mixed notes and key words:
Vinyl and Celluloid Party. […] Sandy / Danny / Sanny / Dandy / ... both faces at the same coin-frame. / […] ← […] / A new (sub)version film… all from the original Grease (1978). / A ...展开Replay [to – with] Grease? / A Musical? / Found Footage Film ≠ Appropriationism. / Recycled period for the cinema. / Eco-image. / … a cinematic “recycling” / Work with the hands [even without moviola], nowadays the materiality of the support at the digital era. […] The challenge to go further with the technique of "Film Quartet" (35/4). / Experimental Cinema must be serious only? / Dialog A ↔ B / Popular Images = Dictionary Word / Found Footage Film / Appropriationism. / Dark Room / Dubbing Voices ≠ Multiple Languages. / “The Original” and NOT a Recreation of the Icon Images (not a copy / the original). / Subtitles-Lyrics songs as an Original Version Character. / Formats 35mm and Super 8 mixed. / aspect ratio 1:2’35 / ↔ 21’95 mm / ↕ 18’6 mm / Scratch Technic / Original Version or Dubbing. / Homosexuality. / Behind the images there is the influence of Dziga Vertov, Mimmo Rotella, Christian Marclay (body mixes and vinyl turntable), Paul Sharits (at least in the title), Pablo Ferro, Peter Tscherkassky (…of course) and many others. / […]
«I just got another movie role. I play an art teacher in Grease. Eve Arden is the principal, and John Lindsay is somebody, and John Travolta, the star of Grease, is in it.» [AndyWarhol. June, 1977.]
Décollage, in art, is the opposite of collage; instead of an image being built up of all or parts of existing images, it is created by cutting, tearing away or otherwise removing, pieces of an original image. Examples include inimage or etrécissements and excavations.A similar technique is the lacerated poster, a poster in which one has been placed over another
Vinyl and Celluloid Party. […] Sandy / Danny / Sanny / Dandy / ... both faces at the same coin-frame. / […] ← […] / A new (sub)version film… all from the original Grease (1978). / A ...展开Replay [to – with] Grease? / A Musical? / Found Footage Film ≠ Appropriationism. / Recycled period for the cinema. / Eco-image. / … a cinematic “recycling” / Work with the hands [even without moviola], nowadays the materiality of the support at the digital era. […] The challenge to go further with the technique of "Film Quartet" (35/4). / Experimental Cinema must be serious only? / Dialog A ↔ B / Popular Images = Dictionary Word / Found Footage Film / Appropriationism. / Dark Room / Dubbing Voices ≠ Multiple Languages. / “The Original” and NOT a Recreation of the Icon Images (not a copy / the original). / Subtitles-Lyrics songs as an Original Version Character. / Formats 35mm and Super 8 mixed. / aspect ratio 1:2’35 / ↔ 21’95 mm / ↕ 18’6 mm / Scratch Technic / Original Version or Dubbing. / Homosexuality. / Behind the images there is the influence of Dziga Vertov, Mimmo Rotella, Christian Marclay (body mixes and vinyl turntable), Paul Sharits (at least in the title), Pablo Ferro, Peter Tscherkassky (…of course) and many others. / […]
«I just got another movie role. I play an art teacher in Grease. Eve Arden is the principal, and John Lindsay is somebody, and John Travolta, the star of Grease, is in it.» [AndyWarhol. June, 1977.]
Décollage, in art, is the opposite of collage; instead of an image being built up of all or parts of existing images, it is created by cutting, tearing away or otherwise removing, pieces of an original image. Examples include inimage or etrécissements and excavations.A similar technique is the lacerated poster, a poster in which one has been placed over another
