旱沒 (2009)

　　在导演眼中，新加坡和香港一样，也是一个漂浮的测试，候鸟的中途站，不同文化的人在此落脚，都是为了去下一个目的地做准备。导演选择很大胆的拍摄方法，一个镜头一场戏的处理，不是人人敢做。导演聪明的将摄影机放在适当距离，让演员自在的进入专题，自然地以自己的母语演戏(国语、印度语、泰语、日语、韩语...)极具独立电影精神，概念清晰，对主流叙事和剪接完全不买账。
　　What if suddenly the water supply runs ...展开dry in Singapore?
　　This fusion of documentary and fiction narrative depicts the lives of foreign migrants as an impending water crisis begins to seep into their lives. With water, or the lack of it, becoming the central motif, this two-part feature length film takes us on a journey across 8 interweaved stories and 10 languages, as the protagonists, consisting of non-professional actors, grapple with this hopefully temporary discomfort, amidst their dalliance with human foibles, and their fantasies of everlasting loves and broken romances.
　　This aberration is a memento mori as the narratives grazed across the vague impressions of the racial tensions lingering past the 1997 riots in Indonesia, World War II, ritual beliefs, and ethnic discrimination in Southeast Asia which has been ingrained over generations and transported along with the migrant communities. Nonetheless, amidst the sporadic ventures into death and violence, sexual relations and sexualities, these are the lines of division that bind us to each other, in one way or another, as people survive through their crises.