在绿地毯上 푸른 주단우에서

　　这部电影是在纪念朝鲜劳动党创建55周年而举行的大型集团体操和艺术表演“百战百胜的朝鲜劳动党”， 创作儿童章的过程中的事实。在体育场指导儿童训练的主人公文奎出乎意料碰见新调到创作团副团长的玄姬。他们回忆中学时期一起参加集团体操的当时，决心协心协力把这项工作做好，可工作一开始就发生了 矛盾。不过副团长玄姬从文奎为了完美地完成儿童章而努力的样子深深感动，并与他携手一起完成下去。经过在火热的志向和热情过程中他们的爱情也开成了花。他们的热情和...展开智慧，汗珠的结实表现在慈父将军观看之下进行的大型集团体操和艺术表演之中。而且成为丰富多彩的大杰作。
　　On the Green Carpet is a 2001 North Korean film directed by Rim Chang-bom. The film's title refers to the turf of the stadium which hosts the May Day mass games in Pyongyang.
　　The film is a romantic comedy, which involves a coach who is preparing a group of schoolchildren for the May Day mass games, and a former colleague who has now become his superior. She feels that he is being too demanding of his young performers, as the show he has devised requires a series of multiple somersaults. However, the children are willing to work as hard as necessary to please their leader, Kim Jong-il, and the film culminates in a lavish display of their abilities.
　　Everyday life in North Korea is presented as being pleasant and trouble-free, with no evidence of reported food shortages and an emphasis on the people's devotion to the "Dear Leader".
　　Festival screenings and critical response
　　On the Green Carpet was the first North Korean film to be invited to the Berlin International Film Festival, where it was screened in 2004 as a special one-off event. It had been chosen by the festival committee from a selection of ten films, and aroused a great deal of interest despite being shown without subtitles and with a German language-only voice-over. The predominantly German audience who saw the film later criticized it for its "Nazi-style propaganda". Sheila Johnson of FIPRESCI regarded it as a "rare and fascinating curiosity", but noted: "On the Green Carpet, with its flat, high-key lighting, functional editing and over-fondness for the zoom lens, could have been made forty years ago; although the subject might be superficially similar, it was executed with none of the technical brilliance of a Leni Riefenstahl movie."
　　On the Green Carpet has previously been screened at the 23rd Moscow International Film Festival in 2001.