The first time I saw the name 'Lucifer' tattooed across Kenneth Anger's pecs was at the last performance of the Living Theater's Paradise Now at the Roundhouse in Chalk Farm, London. This would have been early in 1969....展开Then resident in Britain, Anger was entering the last really productive phase of his film-making career, reissuing Puce Moment (1949) with an ace new soundtrack, editing Rabbit's Moon (1950) for the first time after retrieving the rushes from the Cinémathèque Française, and beginning a new version of Lucifer Rising (a project he had very publicly abandoned in San Francisco in 1967), initially with money from German television, later with investment from the National Film Finance Corporation. (“Devil film gets state aid,” howled the Sunday Telegraph.)