Handtinting (1967)

　　This film is composed of cut-away shots that Wieland filmed for a proposed documentary on a West Virginia job training center. Wieland dyed this leftover footage, added flashed of other footage, and scratched and perfo...展开rated the film itself with her sewing needles. Recent allusions to Handtinting incorporate into feminist critical discussion the importance of tools and methods of working particular to women’s crafts. The movie is comprised of looped and reversed images of the girls dancing, swimming, and talking so that a repetitive or loop effect results in actions that recur but are never completed. Their incomplete movements and gestures become isolated rhythms of social rituals. Lacking spatial depth and temporal completion, the repetitive actions negate the illusion of solid space in documentary cinema.”