The film was shot from a single position -my bed- in a single session. It is a film made in colour, but whose subject is black and white, that is: there are no "coloured" objects in the film, apart from one, once. It i...展开s structured around a number of formal ideas: near-uniformity of shot duration, a move from light to dark, static camera and static subject. Like most of my films it is concerned with light and its limitless mutations and imponderables, in its encounter with film.